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		<dc:identifier>144</dc:identifier>
		<dc:type>artist</dc:type>
		<dc:title>Hugh Davies</dc:title>
		<sara-artist:first_name>Hugh</sara-artist:first_name>
		<sara-artist:last_name>Davies</sara-artist:last_name>
		<sara-artist:bio>Hugh Davies (b. Exmouth, Devon, 1943, d. 2005) was a freelance composer, instrument inventor, performer and musicologist specialising in the new sound sources of the 20th century. He studied music at Oxford University, 1961-64 (BA), and was the assistant to the composer Karlheinz Stockhausen in Cologne, 1964-66. As a Researcher at the Groupe de Recherches Musicales of the French Radio in 1966-67 he compiled a catalogue of electronic music compositions (see below). From 1967 to 1986 he was the founder-director, and 1986-91 the research consultant, of the Electronic Music Studio, Goldsmiths' College, University of London. In 1986-93 he was the external consultant for electronic musical instruments at the Gemeentemuseum, the Hague. He has been a co-founder of several British and international contemporary music organisations, including Secretary of the newly-founded International Confederation for Electroacoustic Music (1982-86). In 1999 he became a part-time Researcher in Sonic Art at the Centre for Electronic Arts, Middlesex University, London.
As a composer, apart from more or less traditionally notated music for conventional instruments, Davies was primarily concentrated on electronic music (live and on tape) and music theatre, since 1967 especially on works for his invented amplified instruments. Among his commissions were several works for modern dance groups. He invented some 130 concert instruments, sound installations and sound sculptures, and gave more than 180 solo concerts and lecture-recitals on his instruments, which have featured on over 50 published recordings. Thirty of his compositions have been recorded commercially (some in more than one version), and they have been performed and/or broadcast in 25 countries; his instruments, sound sculptures and other work have been exhibited in 13 countries. His CD of duo and trio improvisations Interplay was voted by the reviewers of The Wire as the third best CD of improvised music released in 1997. Two solo CDs have recently been released: Warming Up With the Iceman (2001), and a CD is included with his book of creative projects and documentation, Sounds Heard (2002).
Apart from solo performances, primarily on his own invented instruments, Hugh Davies also played in duos with Hans-Karsten Raecke and Max Eastley, and was a member of Strings With and Without Evan Parker and the Electroacoustic Cabaret; previous groups have included Music Improvisation Company, Gentle Fire, Naked Software, The Ferals and Voices from Somewhere. In the autumn of 2001 he appeared as a guest soloist with the London Improvisers Orchestra. Although he was not a multi-instrumentalist in any traditional sense, on a variety of commercial recordings he not only played a wide range of his own and other invented instruments as well as live electronics, but also clarinet (Stockhausen's Sternklang), Hammond organ (one track on the Music Improvisation Company's second album), toy piano (Gentle Fire album) and various non-Western wind instruments (Circadian Rhythm), as well as appearing as a singer (baritone, in Phil Minton and Veryan Weston's Songs from a Prison Diary). His many concert appearances included the BBC Promenade Concerts on two occasions, playing live electronics in Stockhausen's Mikrophonie II and sampling keyboard in the world premiere of Jonathan Harvey's Madonna of Winter and Spring.
Davies' most recent activities included a greater concentration on sound installations. Following Tintinnabularia Coloniensis, a specially-commissioned 'bell forest' for the underground ruins of the Roman Praetorium in Cologne (4500 visitors during its eight-hour opening), Soft Winds Do Blow was exhibited throughout May 2002 at the Sirius Arts Centre in Cobh (County Cork). Two earlier sound installations have been exhibited several times in the last few years, in Britain, Germany, Italy, Spain and Canada.
Hugh Davies' writings on music have been published in 17 countries and translated into 11 languages. Publications include International Electronic Music Catalog (compiler; 1968 - a revised version is planned for publication on the internet), 305 entries in The New Grove Dictionary of Musical Instruments (1984), 82 entries in The New Grove Dictionary of Music and Musicians (2nd. edition, 2001), 4 entries in The Dictionary of Art (1996), contributions to six other dictionaries and chapters in 20 books and exhibition catalogues.</sara-artist:bio>
		<sara-artist:discography>AS COMPOSER/PERFORMER
Shozyg I+II. OU 36-37 (10 LP incl. with journal), 1970. [CD reissue on Alga 	Marghen, in preparation (2002)]
Solo Improvisation No. 2 [= Shozyg Sequence No. 2]. Strings and Springs; 	Blank Tapes 8 (cassette), 1978.
Deux ressorts fort ambitieux qui ont envie d'?re po?es sonores [=Music for Two Springs]. Po?ie sonore internationale; Jean-Michel Place 10007 	(cassette incl. with book by Henri Chopin), 1979.
Music for Bowed Diaphragms (excerpt) / [demonstrations of several 	instruments]. Electronic Music for Schools: 	Illustrations, Cambridge 	University Press [cassette incl. with book 	Electronic Music for Schools 	(Richard Orton, ed.)], 1981. 
Music for Bowed Diaphragms / Salad / Shozyg Sequence No. 1 / Spring 	Song. Shozyg: Music for Invented Instruments (solo album); FMP SAJ-36 	(LP), 1982.
Shozyg Sequence No. 2. Zeitkreis (1); Hans-Karsten Raecke (cassette; private 	edition), 1991 (also incl. duo/trio improvisations with Raecke/Ferdinand 	F?sch).
Group Composition IV (Glastonbury Fair) (excerpt) [as member of Gentle 	Fire]. Live Electronics, Contemporary Music Review 6/1 (cassette; incl. 	with journal), 1991.
My Spring Collection (excerpt). Visiting Hugh Davies. Other Sounds Vol. 1; 	Trekanten Video Formidling, Copenhagen, 1991 (non-commercial demo 	videocassette) = TVF Demotape #1: Other Sounds Vol. 1-11; Trekanten 	Video Formidling, Copenhagen, 1994 (non-commercial demo 	videocassette, incl. reissue of 1991 videocassette).
Jigamaree. Musicworks 57 (CD = cassette incl. with journal), 1993 = CD incl. 	with book Sounds Heard (2002).
Spring Song. Klangbilder: Hugh Davies/Hans-Karsten Raecke; 	Klangwerkstatt edition SM 500 135 D (CD = cassette), 1994 (also incl. duo 	improvisations with Raecke).
Spring Song (excerpt). Transparent Messenger / Pr?vitn Posel: Symposium 	Hermit - Plasy Monastery 1994; Hermit Foundation AV 0057-2 931 (CD 	incl. with catalogue/documentation), 1995.
Vision (excerpt) [electronic music]. Avant 4 (CD incl. with journal), 1997.
Madame Sin [electronic sounds for film]. Avid 01223510743 (videocassette), 	1998? = Carlton 30074 20393, 2000.
Strata. Variations 2 - a London Compilation; Paradigm Discs PD 05 (CD), 	1998.
Ring dem Bells [= Embellishments] (excerpt; duo performance on sound 	installation). Resonancias (CD incl. with exhibition catalogue, M?aga), 	2000.
Music for a Single Spring (2 versions) / Porcupine / Shozyg I / Shozyg 	Sequence No. 3. Warming Up With the Iceman: Solos by Hugh Davies; 	Grob 324 (CD), 2001 (also incl. 2 solo improvisations).
Music for Three Springs (excerpt) and Group Composition VI (Unfixed 	Parities) (excerpt) [as member of Gentle Fire]. Not Necessarily English 	Music; Leonardo Music Journal 11 (2 CDs incl. with journal), 2001 = EMF 	MediaEM 136-2, 2001 [2 CDs issued separately].
Collective Responses / Composition with Cadence / Conference Instrument 	/ Embellishments (2 versions) / Interlude / Lady Bracknell / Organic 	Rhythms / Printmusic / Six Portable Found Instruments / Squeakbox / 	Taken for a Ride! Sounds Heard: Environmental Projects and 	Documentation, Projects with Children, Simple Musical Instruments, 	Sound Installations, Verbal Scores and Historical Perspectives. 	Soundworld, Chelmsford, 2002 [CD incl. with book] (also incl. Jigamaree 	reissue; quintet improvisation)

AS IMPROVISER
The Music Improvisation Company. ECM 1005 (LP), 1970.
Music Improvisation Company 1968-71.Incus 17 (LP), 1976; = CD reissue on 	Incus CD12, 1992; = one track reissued on Ocean of Sound. Virgin AMBT 	10 (CD), 1996. 
Paul Burwell/Hugh Davies/David Toop. Davies/Burwell/Toop; Quartz/ 	Mirliton QMC 6 (cassette), 1976.
Paul Burwell/Hugh Davies/Evan Parker. Parker/Davies/Burwell; Quartz/ 	Mirliton QMC 11 (cassette), 1977.
Dick Beard/Hugh Davies/Tim Dennis: Trio with Hugh Davies. Pipe: Duos/ 	Collaborations; Pipe PP1 (cassette), 1980.
Hugh Davies/David Toop. Improvised Music & Sound Works; Audio Arts 	4/2 (cassette), 1980.
Circadian Rhythm. Incus 33 (LP), 1980.
Borbetomagus: Work on What has been Spoiled. Agaric 1981 (LP), 1981.
Company: Trios by Company. Incus 51 (LP), 1986.
The Ferals: Ruff. Leo Records LR 138 (LP), 1987.
Peter Br?zmann/Hugh Davies/Phil Minton: Sweet Suite. Phil Minton: The 	Berlin 	Station; FMP SAJ-57 (LP), 1987.
Hugh Davies/Hans-Karsten Raecke: Klangbilder 1-4. Neue Musik und Free 	Jazz in 	Duo; Hans-Karsten Raecke (cassette; private edition), 1988.
Hugh Davies/Hans-Karsten Raecke: Klangbild 5 and Hugh Davies/ 	Ferdinand F?sch/Hans-Karsten Raecke: Drahtgestalten. Zeitkreis (1); 	Hans-Karsten Raecke (cassette; private edition), 1991 (also incl. own solo 	composition).
Hugh Davies/Hans-Karsten Raecke: Klangbilder 1-3, 5-8. Klangbilder: Hugh 	Davies/Hans-Karsten Raecke; Klangwerkstatt edition SM 500 135 D (CD = 	cassette), 1994 (also incl. own solo composition).
Hugh Davies: Interplay (duos with Max Eastley, Hilary Jeffery, Hans-Karsten 	Raecke, trios with John Russell/Roger Turner). FMR CD39-V0697 (CD), 	1997; = 2 tracks reissued on Avant 1 [CD incl. with journal], 1997 / = 1 track 	reissued on Avant 13 [CD incl. with journal], 1999].
Hugh Davies/Max Eastley/Barry Leigh (excerpt; 1979 recording). London 	Musicians Collective... the first 25 years; Resonance RES 8.2 CD/RES 9.1 	CD [2 CDs incl. with journal], 2000.
Peter Cusack/Hugh Davies/Rhodri Davies/Phil Durrant/John Edwards/ 	Kaffe Matthews /Marcio Mattos/Evan Parker/John Russell/Mark Wastell: 	Strings with Evan Parker; Emanem 4302 [3 CDs], 2001.
Hugh Davies/Max Eastley and Hugh Davies/Hans-Karsten Raecke. A New 	Guide to Sound Sculpture and Invented Instruments, Vol. 1; FMR CD80 	(CD) [also incl. with journal Avant 19], 2001 [= tracks reissued from 	Interplay, 1997].
Hugh Davies: Lunar Day/Solar Night (solo improvisations). Warming Up 	With the Iceman: Solos by Hugh Davies; Grob 324 (CD), 2001 (also incl. 5 	compositions).
Strings With and Without Evan Parker. Freedom of the City 2001 - Large 	Groups; Emanem 4206 (2 CDs), 2002 (also incl. London Improvisers 	Orchestra).
Johannes Bergmark/Adam Bohman/Hugh Davies/Martin Klapper/Mats 	Lindstr?: Eine kleine Eierschneidermusik (Eggslicer Quintet). Hugh 	Davies: Sounds Heard: Environmental Projects and Documentation, 	Projects with Children, Simple Musical Instruments, Sound Installations, 	Verbal Scores and Historical Perspectives. Soundworld, Chelmsford, 2002 	[CD incl. with book] (also incl. own compositions).

AS PERFORMER IN WORKS BY OTHER COMPOSERS
Karlheinz Stockhausen: Mikrophonie I. CBS SBRG 72647 (LP), 1967 = DGG 	2530 583 (LP), 1976; = CD reissue on Sony S2K 53346, 1993 = Stockhausen 	Gesamtausgabe 9, 1995.
Misha Mengelberg: Where Is the Police? Derek Bailey: Solo Guitar Volume 	1; Incus 2 = 2B (LPs), 1971; = CD reissue on Incus CD 10, 1992.
Richard Orton: concert music 5. Approach to Music, vol. 3; Oxford University 	Press (17 cm EP; incl. with book), 1971.
John Furnival: Ode. John Furnival; Ceolfrith Press CPR 1 (17 cm EP; incl. with 	exhibition catalogue Ceolfrith Press 14), 1971.
Earle Brown: Four Systems/John Cage: Music for Amplified Toy Pianos/ 	Christian Wolff: Edges. Gentle Fire; Electrola 1C 065-02 469 (LP) = Toshiba 	EAC-80295 (LP), 1974.
David Toop: The Divination of the Bowhead Whale. New and Rediscovered 	Musical Instruments; Obscure 4 (LP), 1975 = Editions EG EGED 24 (LP); = 	CD reissue on Virgin CDOVD478, 1997.
Karlheinz Stockhausen: Sternklang. Polydor 2612031 (LP) = DGG 2707 123 	(LP), 1976; = CD reissue on Stockhausen Gesamtausgabe 18A-B, 1992.
Talk Talk: Spirit of Eden. Parlophone CDP 74 6988 2 (LP) = TC-PCSD 105 	(cassette) = CDP 74 6977 2 (CD), 1988 / = digital remaster: EMI Records 	7243 8 57129 2 0 (CD), 1997 (= also in 3-CD set Talk Talk. EMI Records 	7243 5 28343 2 7, 2000; other track reissues).
Phil Minton & Veryan Weston: Songs from a Prison Diary. Leo Records CD 	LR 196, 1993.
Hans-Karsten Raecke: Reden ist Silber, Schweigen ist Gold. Saitenwege Teil 	2;	Klangwerkstatt edition (cassette), 1994.
John Cage: MusiCircus (excerpt). Resonance RES 7.1 CD (CD; incl. with 	magazine Resonance 7/1), 1998.
</sara-artist:discography>
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